While we serve a global market, we are still proud to call Yorkshire home and each year Yorkshire Day offers a welcome moment to celebrate the craft, creativity and culture this county continues to inspire. This year, we’re shining a light on three standout areas where Yorkshire’s artistic voice is loud and clear: fine furniture, evocative painting and beautifully made decorative objects.

These aren’t just regional curiosities. They’re part of a much larger picture,  a network of workshops, studios and artists whose work speaks to quality, integrity and enduring appeal. Whether it’s a signed piece of studio glass from Rosedale or a watercolour painted on the cliffs above Staithes, these objects have deep roots and lasting relevance. They matter because they were made with care, made with place in mind, and made to last.

Rabbitman, Yorkshire Craft with Character

One of the most distinctive signatures in British furniture-making comes from East Yorkshire, carved not with initials, but with a rabbit. Peter Heap, better known as Rabbitman, trained with Mouseman Robert Thompson before establishing his own workshop in Wetwang. His hand-tooled oak furniture shares Thompson’s commitment to tradition and durability, but with a character all of its own.

Recent sales show just how sought after these pieces have become. A large Rabbitman sideboard, fitted with fielded panel doors and iron strap hinges, brought in £925, while a compact, curved-legged coffee table sold for £380. Even smaller objects, like a hand-carved circular fruit bowl, have real collector appeal, fetching £300.

Each piece carries the distinctive rabbit motif and the unmistakable marks of handwork, gently adzed surfaces, honest joints and practical proportions. It’s furniture that feels grounded, local and made with purpose.

Left to right: Rabbitman - adzed oak sideboard, Rabbitman - circular tooled oak fruit bowl Rabbitman - oak coffee table

The Staithes Group, Coastal Colour

From the turn of the 20th century, a group of artists began gathering in the North Yorkshire fishing village of Staithes. Inspired by the dramatic light, rugged coast and working life of the community, they became known as the Staithes Group, sometimes dubbed “Yorkshire’s Impressionists.”

Their work remains powerfully evocative and, increasingly, highly collectible. At auction, a glowing watercolour of a Scarborough cobble boat by Ernest Dade reached £4,100. Rowland Henry Hill's 'April', likely the inspiration for the formation of an important collection of Staithes Group pictures by later generations, achieved £10,000 at auction. Most impressively, Lionel Townsend Crawshaw’s scene Pulling up the Cobles, Runswick sold for £17,500, a rare work with direct links to the larger painting now held in the Pannett Gallery, Whitby.

These artists captured something timeless about the Yorkshire coast. Their brushwork, their choice of scenes, and their connection to the land all help explain why Staithes Group paintings continue to draw admiration well beyond Yorkshire’s borders.

Left to right: Ernest Dade (Staithes Group 1864-1935): 'Scarborough Fishing Cobble',Rowland Henry Hill (Staithes Group 1873-1952): 'April' & Lionel Townsend Crawshaw (Staithes Group 1864-1949): 'Pulling up the Cobles Runswick Yorkshire

Yorkshire Decorative Objects, Quiet Mastery

Not all of Yorkshire’s most treasured objects are painted or carved. Some are thrown, blown, or cast in bronze and their presence in our Decorative sales often delivers standout results.

Sculptor Sally Arnup, based in York, was a Fellow of the Royal British Society of Sculptors and renowned for her animal bronzes. Her Little Owl, signed and numbered, achieved £3,900 at auction, a testament to her precision and characterful modelling.

From ceramics, John Egerton’s richly glazed stoneware vase, decorated with swirling fish and ammonites, reflects a lifelong love of natural forms and fetched £120. His work remains a favourite among collectors of northern studio pottery. Over in Rosedale, glassmakers Gillies Jones continue to turn heads with their vividly coloured handblown pieces. One pink glass vase with a crimped rim sold for £70, showing that even small-scale work from local makers can punch above its weight.

Left to right: Sally Arnup, FRBS, ARCA, (1930-2015): Little Owl in Bronze, Gillies Jones of Rosedale pink glass vase & John Egerton (c1945-): studio pottery stoneware vase and cover 

A Legacy to Build On

Across these three categories, one thing is clear: Yorkshire has long been home to artists and makers whose work reflects not just personal skill but a deep connection to place. Whether rustic oak, windswept oil painting or jewel-toned glass, each piece tells a story rooted in this landscape and its communities.

We continue to welcome consignments from across Yorkshire and beyond, and we’re especially proud to give local makers the spotlight they deserve. If you have something that belongs in this tradition, whether it’s a carved rabbit, a forgotten watercolour, or a studio pot fresh from the kiln - we’d love to hear from you.

Happy Yorkshire Day from all of us at Dugglebys.

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